Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. The Age - Thu, 31 Oct 2019 . In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. In the context of the opera, the merely lovely music becomes inspired drama. For up-to-date casting go back to the previous page. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. But at the very least its coherent narratively. MEET THE STARS LUNCHEON. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. The Metropolitan Opera. In the role of Sparafucile, Relyea continued his revival with the company. Elsewhere this season, he sings Sarastro at the Vienna State Opera. For further details on Rigoletto, including casting by date, please click here. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Description New production. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. (Who struck you? The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Ei sta sotto ai miei piedi! Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. . Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Performance History. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. As Gilda, Rosa Feola had a solid night overall. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Directed for the screen by Gary Halvorson. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. Speranza Scappucci conducts Bartlett Sher's production. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Check out the latest photos and bios of the cast and filmmakers of The. Later this season, he sings Lenski in Eugene Onegin at the Met. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. 29 des. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Opera is thriving. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. And so we come to the end. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. All performances to. esser difforme, esser buffone, the voice shifting from grainy to soft and delicate as he sang Il retaggio dogni uom m tolto, il pianto.. Runtime: 210 min. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. It took but a moment before she was rushing away down the stairs. The opera will mark Morley's return to the Met following her . Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Opera in the Park; Don Giovanni (Mozart) . Russian mezzo-soprano Yulia Matochkina makes her Met debut as Maddalena. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. 2010-2023 Bachtrack Ltd. All rights reserved. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! And its definitely worth checking out. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera Genre: Opera. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. Mozart's Idomeneo. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. Though her voice is not especially large it carries nicely, especially her plummy chest voice. 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