The unit was headed by John Grierson, who appointed apprentices such as Basil Wright, Arthur Elton, Edgar Anstey, Stuart Legg, Paul Rotha and Harry Watt. Sussex, in He then solicited financial support from business and industry and enlisted the participation of artists interested in realistic filmmaking. Glasgow University, degree in philosophy, 1923. Question. When John Grierson originated the term "documentary" as a reference to Robert Flaherty's Moana in a 1926 New York Sun review, he could not have anticipated the ambiguity the term would create. (Cavalcanti) (pr, ph); 1970 Michigan Publishing A "Professional Notes" section informs Society for Cinema and Media Studies members about upcoming events, research opportunities, and the latest published research. problems needed to be solved, and suggestions about their causes and He may have been involved in arranging to bring Sergei Eisenstein's groundbreaking film The Battleship Potemkin (1925) to US audiences for the first time. John Grierson and the National Film Board: The Weather Forecast [2] At the Edinburgh Film Festival in the same year, a dinner was held in Grierson's honour to celebrate twenty-five years of documentary. Sussex, in "Grierson Issue" of (Montreal), January/February 1970. [2] Before he finished with the Wartime Information Bureau Grierson was also offered the role of chairman of the Canadian Broadcasting Corporation but turned it down as he believed that this would give him too much power. The founding principles of the movement were based on Grierson's views of documentary film. [2] They filmed at Southall Studios in West London but later moved to Beaconsfield Studios. "One Hundred Percent Cinema," in (London), Summer 1977. Grierson's boss at the EMB moved to the General Post Office (GPO) as its first public relations officer, with the stipulation that he could bring the EMB film unit with him. Spectator Films and Filming (London), Summer 1972. Drifters John Grierson founded and led the British documentary film movement of the thirties. The result was Night Mail (1936) a message film about the dedication and efficiency of the postal service. Formation of Canadian Film Culture in the 1930s," in ), smog ( Cinema Quarterly Portable gear for actuality shooting on the run was another 20 years away. Time Gentlemen Please [2] The head of the Motion Picture Bureau for Canada, Frank Bagdley, did not appreciate Grierson's assessment and criticism of the films made by the Bureau which was that they focused too much on Canada as a place to holiday. (Wright) (pr, co-sc); My earliest memories were of helping soup kitchens to keep the strikers going. After Drifters, Grierson directed only one more film himself but would influence and guide hundreds of others. documentary film, motion picture that shapes and interprets factual material for purposes of education or entertainment. Sussex, Elizabeth, "John Grierson," in from Glasgow University with dis-tinctions in English and in moral philosophy. You could argue that the first films ever made were, in fact, documentaries. Ellis, Jack C., Ellis, Jack C., "The Young Grierson in America," in Telephone Workers Enough to Eat? Phase two, which began in the mid-1930s, consisted of calling public Cox, K., "The Grierson Files," in Basil Wright, Arthur Elton, Edgar Anstey, and Paul Rotha were (pr), BBC: The Voice of Britain (London), January/February 1956. May 1939 and appointed Grierson its first commissioner in October 1939. Sight and Sound From a talented collective of socially conscious filmmakers, artists, composers and writers Grierson built and nurtured the British documentary movement from deep within the bureaucracy of government film units. Ellis, Jack C., "The Final Years of British Documentary as the Filmmaking for Grierson was an exalted calling; the Filmmaker a patriot. (Evanston, Illinois), Fall 1968. The Weegy: A modal verb (also modal, modal auxiliary verb, modal auxiliary) is a type of auxiliary verb that is used to John grierson made large epic films: FALSE. throughout the world. Grierson made his first film, Drifters (1929), out of his one-bedroom apartment using the kitchen table as an editing bench and the bathroom as a projection booth. Articles from Britannica Encyclopedias for elementary and high school students. 193945; Co-coordinator of Mass Media at UNESCO, 1947; Controller, As a result, in 1947, the federal government restricted imports on a large number of goods. [2] In 1957, Grierson received a special Canadian Film Award. Film can be mobilized in the public service to give image and perspective to the national scene, is how he put it. This group formed the core of what was to become known as the British Documentary Film Movement. It is for his many-faceted, innovative leadership in film and in education Grierson studied the pioneering work of Dziga Vertov (Kino Pravda 1922) who made reality-based Soviet propaganda films to stir mass support for the new communist order. [2] This Wonderful World was shown weekly, other topics for episodes included Leonardo da Vinci, ballet, King Penguins and Norman McLaren's Boogie Doodle. Between 1946 and 1948 he was director of mass communications for UNESCO and from 1948 to 1950 film controller for Britains Central Office of Information. Man of Africa (Evanston, Illinois), Fall 1970. Journal of Film Studies Evans, Gary, . Whether The Documentary Film Movement is the group of British filmmakers, led by John Grierson, who were influential in British film culture in the 1930s and 1940s. career as an individual filmmaker. In late 1929 Grierson and his cameraman, Basil Emmott completed his first film, Drifters, which he wrote, produced and directed. He moved to UNESCO in Paris, where rising directors such as Rossellini (pr); He was also the subject of a 1973 NFB documentary, Best Documentary on Science or the Natural World, The Frontier Post Award for Most Entertaining Documentary, Credits from: British Film Institute Catalog (Film Index International), This page was last edited on 13 February 2023, at 19:04. Sight and Sound These filmmakers were mostly young, middle-class, educated males with liberal political views. (Cavalcanti) (pr); [5] His research focus was the psychology of propagandathe impact of the press, film, and other mass media on forming public opinion. John Grierson, (born April 26, 1898, Kilmadock, Stirlingshire, Scot.died Feb. 19, 1972, Bath, Somerset, Eng. A new financing strategy - private sponsorship . (London), 23 August 1935. Family: I must have been on a soapbox by the time I was 16, says Grierson in the NFB film. . Film Dope Budgets and staff were reduced and the NFB came under attack for allegedly harbouring left-wing subversives and as holding a monopoly that threatened the livelihoods of commercial producers. Nationality: presented to the population at large, an understanding and appreciation of Founded in 1950, the University of Texas Press publishes over 90 books per year and 11 journals in a wide range of fields. (pr); He himself spent a lifetime seeing to it that movies were made and used in ways no man before him had imagined.. ), malnutrition among the poor ( In Night Mail, Audens words appear to be running alongside the mail train steaming across the British countryside Past cotton grass and moorland boulders / shoveling white steam over her shoulder. This film initiated the documentary movement in Britain. Documentary," in Children at School Pratley, Gerald, "Only Grierson," in to the better functioning of the whole. [2], Grierson was offered the position of head of information at UNESCO at the end of 1946; he attended the first General Conference of UNESCO from 26 November until 10 December in Paris. documentary to Free Cinema," in In addition to publishing the results of original research for scholars and students, UT Press publishes books of more general Herrick, D., "The Canadian Connection: John Grierson," in In addition, he was an adroit During his Canadian years he moved beyond national concerns to global are currently supervised by The Grierson Trust. [2] He also pushed for a French unit in the National Film Board. Deanston, Scotland, 18 April 1898. Film Unit, (exec pr), The Brave Don't Cry "I Derive My Authority from Moses," in [2] Grierson spent much of his time corresponding with the directors at Group 3, as well as commenting on scripts and story ideas. paid him homage. John C. Ellis, John Grierson: Life, Contributions, Influence (2000); H. Forsyth Hardy, John Grierson: A Documentary Biography (1979) and ed, Grierson on Documentary (1946); Gary Evans, John Grierson and the National Film Board (1984); Ian Aitken, Film and Reform: John Grierson and the Documentary Film Movement (1990). As a producer he was responsible to one extent or [4] John was enrolled in the High School at Stirling in September 1908, and he played football and rugby for the school. More than 100 films made Key films - Song of Ceylon 1934 Coal Face 1935 . He began as a curiosity but soon was attracting up to 800 students to his lectures. ), slums ( Also according to his wishes, his urn was placed in the sea off the Old Head in Kinsale, and his brother Anthony, who had died in August 1971, had his ashes placed at the same time. The choice of topic was chosen less from Grierson's curiosity than the fact that he discovered that the Financial Secretary had made the herring industry his hobbyhorse. His view of Hollywood movie-making was considerably less sanguine: Grierson's emerging and outspoken film philosophies caught the attention of New York film critics at the time. [2] Grierson proposed that the Film Board show how the German prisoners of war were being treated in Canada through a film. During this time, Grierson was also involved in scrutinizing the film industries of other countries. for other countries. of film back to Britain with him in 1927. (London), October 1954. [2] After the Dieppe Raid, there were reports that Canadians that had been taken as prisoners of war had been manacled under Hitler's orders. He died on 19 February 1972 in Bath, Somerset, England, UK. Less commendable in Grierson's view was Flaherty's focus on exotic and faraway cultures. and Grierson's departure for Canada in 1939, the sixty or so He was at the same time general manager of Canada's Wartime Information Board and thus had extraordinary control over how Canadians perceived the war. Grierson himself was to later say, "Docu mentary is a clumsy description, but let it stand."1 Other film theorists such as Richard Barsam have Cinmaction [2] On 23 June 1948, he accepted an honorary degree, an LL.D from the University of Glasgow. (London), Spring 1934. film. [2] In the seventeenth century wild sand had blown into the mouth and covered the land, the successful replanting of the forest was a great success for the commission. Claiming the Real: The Griersonian Documentary Learn how and when to remove this template message, Historical Journal of Film, Radio and Television, https://en.wikipedia.org/w/index.php?title=Documentary_Film_Movement&oldid=934857783. Scottish. nation and of the world) the information and attitudes that he thought Cinema Journal John Grierson, the Scottish film pioneer who turned government film bureaucrat when he was asked to institute the National Film Board of Canada in 1939, is credited with coining the word "documentary." Grierson's definition of the form still holds up today. During Grierson's administration, the GPO Film Unit produced a series of groundbreaking films, including Night Mail (dir. [2] Grierson met with the Prime Minister, William Lyon Mackenzie King and also spoke with many important figures across Canada, they were all in agreement of the importance of film in reducing sectionalism and in promoting the relationship of Canada between home and abroad. The unit was headed by John Grierson, who appointed apprentices such as Basil Wright, Arthur Elton, Edgar Anstey, Stuart Legg, Paul Rotha and Harry Watt. Grierson was nearly broke when McGill University invited him to lecture in 1968. ones. John Grierson was especially interested in the power of film to reveal the issues plaguing society and to provoke social change. Introducing the Dial ). Four Barriers [2] In 1946 Grierson was asked to testify as part of the investigation of the Gouzenko Affair regarding communist spies in the National Film Board and the Wartime Information Board, rumours spread that he had been a leader of a spy ring during his offices with the Canadian government, a rumour he denied. [2], During this time Grierson had been diagnosed with tuberculosis in May 1953, he spent a fortnight in hospital and then had a year of convalescing at his home, Tog Hill in Calstone. (Cavalcanti) (pr); The Documentary Idea (pr); [2] He went to the Crystal Palace in London to train with the Royal Naval Volunteer Reserve. [5] Grierson was particularly interested in the popular appeal and influence of the "yellow" (tabloid) press, and the influence and role of these journals on the education of new American citizens from abroad. among the early recruits; Stuart Legg and Harry Watt came later, as did 1, Spring 1994. [1], Grierson was born in the old schoolhouse in Deanston, near Doune, Scotland, to schoolmaster Robert Morrison Grierson from Boddam, near Peterhead, and Jane Anthony, a teacher from Ayrshire. The Voice of the World (exec pr), Man of Africa Board and became its first head, but to New Zealand, Australia, and later Question. The film's style has been described as being a "response to avant-garde, Modernist films, adopting formal techniques such as montage - constructive editing emphasising the rhythmic juxtaposition of images - but also aimed to make a . (London), 14 May 1932. would help them to lead more useful, productive, satisfying, and rewarding Expert answered|Jerrald@22|Points 14385| Log in for more information. The Rise and Fall of British Documentary: The He wished to use film to educate citizens in an understanding of democratic society. The movement began at the Film Unit of the Empire Marketing Board in 1930. , London, 1995. For Grierson, Flahertys re-enacted films about disappearing ways of life were too idyllic and too far removed from the pressing realities of the modern world where Grierson preferred to train his documentary lens. 192427; joined Empire Marketing Board (EMB) Film Unit under Grierson's use of institutional sponsorshippublic and The subjects dealt More than any one other person, John Grierson was responsible for the 19 February 1972. (pr); [2] Grierson sailed at the end of May in 1938 for Canada and arrived on 17 June. In 1933, the film unit was transferred to the General Post Office. He returned to his native Scotland in the mid-1950s, where he hosted a public affairs program, This Wonderful World, for 10 years. He remained on the National Film Board and managed to complete his duties to Wartime Information Board as well through his deputies that aided him in the task. Forsyth, S., "The Failures of Nationalism and Democracy: Grierson In 1934 he produced at the GPO Film Unit the award-winning The Song of Ceylon (dir. Cinema Journal Career: (London), Spring 1933. Hood, Stuart, 'John Grierson and the documentary film movement', in James Curran and Vincent Porter (eds. Film Comment (London), March 1982. 2017supernaturalhorrorfilmbyAndyMuschiettiIt(titledonscreenasItChapterOne)isa2017Americancoming-of-agesupern , Boston, 1986. political positions (and in any case did not relate directly to the Filmography as producer/creative contributor: The Grierson Documentary Film Awards were established in 1972 to commemorate John Grierson and Documentary Film He was soon almost forgotten in Canada. Spectator attention to pressing problems faced by the nation, insistence that these (Watt and Wright) (pr, co-sc); [2] Grierson decided to give up smoking and drinking to benefit his health. "Art is not a mirror," he said, "but a hammer. Please refer to the appropriate style manual or other sources if you have any questions. The film was shown from 9 December 1929, in the Stoll in Kingsway and then was later screened throughout Britain.[2]. Coalface [1] Early life [ edit] ), and education ( [2] Grierson received the Buchan Prize in the Ordinary Class of English Language in the academic year of 191920, he also received the prize and first-class certificate in the academic year of 192021 in the Ordinary Class of Moral Philosophy and graduated with a Master of Arts in English and moral philosophy in 1923. 3. And we did."). This is reflected in his first documentary, Drifters.[/caption]. In Grierson's view, a way to counter these problems was to involve citizens in their government with the kind of engaging excitement generated by the popular press, which simplified and dramatized public affairs. assumptions were as follows: if people at work in one part of the Empire [2], In 1923, Grierson received a Rockefeller Research Fellowship to study in the United States at the University of Chicago, and later at Columbia and the University of WisconsinMadison. Indira Gandhi called him to India to find ways to spread the principles of birth control [2], Grierson returned to university in 1919; he joined the Fabian Society in 1919 and dissolved it in 1921. Phase one included some of the most innovative, Grierson was educated at the University of Glasgow and the University of Chicago. [2] Grierson was appointed the first Commissioner of the National Film Board in October 1939. The film revolutionized the way working people were represented in films. had grown into one of the world's largest film studios and was a model for similar institutions around the world. Drifters (1929) is silent documentary film by John Grierson, his first and only personal film.. , London, 1958. As a theoretician he articulated the ), This page was last edited on 8 January 2020, at 22:07. The World in Action Documentaries have been made in one form or another in nearly every country and have contributed significantly to the development of realism in films. = 2 5/20 In his essay "First Principles of Documentary" (1932), Grierson argued that the principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. Commissioner of Canada, helped establish National Film Board of Canada, Rotha on Film the interrelatedness of the modern world, and of our dependency on each , Carbondale, Illinois, 2000. "Flaherty as Innovator," in Let us know if you have suggestions to improve this article (requires login). John Grierson was born in Deanston (near Stirling), Scotland, on April 26, 1898. , New York, 1972. Whenever an individual stops drinking, the BAL will ________________. Canadian Journal of Film Studies (pr); [2] He spent a few months in 1971, travelling around India instilling the importance of having small production units throughout the country. Donald, J., "Machines of Democracy: Education and Entertainment in [2] At Heriot-Watt University in Edinburgh on 8 July 1969, Grierson received an Honorary Doctorate of Literature. 20/3 On his return to England, Grierson was employed on a temporary basis as an Assistant Films Officer of the Empire Marketing Board (EMB), a governmental agency which had been established in 1926 to promote British world trade and British unity throughout the empire. (New York), January/February 1977. (Abingdon, Oxon), vol. Filmmakers were mostly Young, middle-class, educated males with liberal political views `` the Young Grierson the. And Fall of British documentary film movement of the world 's largest film Studios and was model... Motion picture that shapes and interprets factual material for purposes of education entertainment... Began as a theoretician he articulated the ), Fall 1970 also pushed for a French unit the! 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